Making a Four-Flap Enclosure

Webinar

Event details

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Eastern Time (ET)


This program of the Conservation Center for Art & Historic Artifacts is provided with generous support from the William Penn Foundation, with additional support from the National Endowment for the Humanities, the Pennsylvania Council on the Arts, and Independence Foundation.


CCAHA is committed to providing universal access to our programs. Advance notice is necessary to arrange for some accessibility needs; please contact Stephenie Bailey, by email at sbailey@ccaha.org or by phone 215-545-0613 ext 314, at least seven days prior to the start of this event to make specific arrangements.

Preservation housing is intended to provide safe and efficient storage for collections items. A four-flap enclosure for paper pamphlets, documents, and photographs has a fundamental design that prioritizes a variety of condition concerns, accommodates user access, and reduces unnecessary handling.  How can you design a custom-sized four-flap enclosure of preservation-quality materials? Register early for this webinar and receive tools and supplies to construct a four-flap enclosure, and join a synchronistic activity with the instructor.* 

*Registration required by March 10th to receive participant packet by mail and limited to 30 participants.


About the Presenter:

Stephenie Schwartz Bailey, Education Program Manager & Preservation Consultant, CCAHA 

Stephenie Schwartz Bailey is responsible for developing and coordinating CCAHA’s education programs and conferences, bringing preservation training to cultural heritage professionals in the Mid-Atlantic region and nationwide. She assists institutions in the development and presentation of on-site preventive conservation training and teaches workshops on the care and handling of paper artifacts. 

Stephenie first joined the staff of CCAHA as a housing and framing conservation technician. Previously, she worked as an archival assistant at the Revs Institute for Automotive Research and at Dumbarton Oaks Research Library and Collection; as an assistant to the curator at the National Gallery of Art; and as a conservation intern at the Art Institute of Chicago and the Rockford Art Museum. She served as an adjunct professor of Renaissance to Modern Art History at Florida SouthWestern State College. Stephenie received a MA in Art History from George Washington University and a BA in Art History from Beloit College. 


Registration: