Many of the treatments at the Conservation Center for Art & Historic Artifacts (CCAHA) ensure that objects can be shared with others. Conservators and technicians clean the surfaces of prints, mend tears, and mount prints and photographs in stabile frames. They also often advise on the best display...
William Heinrich Prestele was born in Germany in 1838 and raised in Iowa. He was the son of a prolific botanical illustrator, Franz Joseph Martin Prestele, whose influence on his son was clear from an early age. After completing several natural painting projects in his twenties, William Heinrich...
Books are often no match for the rigors of childhood play, so it comes as no surprise that children’s literature poses unique challenges to conservators. Rogue marginal and interlinear additions need to be excised, torn pages repaired, and all manner of cuts and scrapes mended. These days, many...
Ingrid E. Bogel retired as CCAHA’s Executive Director in September 2014. During her 23 years at CCAHA, Ingrid witnessed a veritable parade of our cultural legacy passing through the Center’s laboratory. Artifacts come to the Center from every region of the world, covering millennia of history—the...
Eastern State Penitentiary opened in 1829 and immediately set itself apart from other prisons of the time: instead of punishing inmates through physical abuse, Eastern State instituted a Quaker-inspired system of isolation meant to push prisoners toward reflection and change. For decades, Eastern...
Long before anyone figured out how to print them, books were painstakingly produced by hand. Each manuscript passed from a parchment maker, who cleaned and stretched the cow and sheep skins that would make the pages, to a scribe. Depending on the book’s size, this process could require several herds...
It wasn’t until he was in his late 60s that Henri Matisse—best known for his brightly colored paintings—began creating illustrations for artists’ books. He produced over a dozen of these limited editions, meant not just to be read, but collected and admired. In his 1946 essay “How I Made My Books,”...
Because of the constraints of photography in the art form’s early days, photographs of the Civil War tended to be either posed portraits, camp scenes, or—most haunting of all—images of a battle’s aftermath. Taken days or even weeks after the violent events had passed into history, the aftermath...
